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home·artworks·Love Leading The Pilgrim
Love Leading The Pilgrim by Edward Burne-Jones

plate no. 6103

Love Leading The Pilgrim

Edward Burne-Jones, 1896

oil, canvasRomanticismallegorical paintingfigureslandscapeangelpilgrimthornswings
some experience helpful

Recreating this painting will help students practice figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides an opportunity to explore color mixing to achieve the muted, earthy tones.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the background landscape with thin washes of color, paying attention to the atmospheric perspective.

  3. step 03

    Block in the main shapes of the figures, using simplified forms and values.

  4. step 04

    Begin refining the details of the figures, starting with the faces and hands.

  5. step 05

    Develop the drapery, paying attention to the folds and highlights.

  6. step 06

    Add the details of the thorny bushes and birds, using a smaller brush.

  7. step 07

    Refine the overall color harmony and value relationships.

  8. step 08

    Add final details and highlights to create a sense of realism.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · ultramarine blue · burnt sienna · cadmium red light

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt sienna. Achieve the skin tones by mixing titanium white, yellow ochre, and a small amount of cadmium red light.

techniques

  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·drapery study
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth in the landscape.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.

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oil painting for beginners →how to learn by studying the masters →
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