apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Love and marriage
Love and marriage by Alfred Stevens

plate no. 6178

Love and marriage

Alfred Stevens

oil, canvasRomanticismallegorical paintingfigurecherubflowersveillandscapebird
experienced study

Recreating this painting will help students develop skills in rendering translucent fabrics, creating atmospheric perspective, and painting figures with soft, blended edges.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the main figures and the basic landscape elements, paying attention to proportions and composition.

  2. step 02

    Establish the background colors, starting with the sky and the distant landscape, using thin washes.

  3. step 03

    Block in the main shapes of the figures, focusing on the overall values and color temperatures.

  4. step 04

    Begin to refine the details of the figures, including the facial features, drapery folds, and the cherub's wings.

  5. step 05

    Add the details of the flowers and foliage, varying the colors and textures to create depth.

  6. step 06

    Work on the translucent veil, using thin glazes and subtle color shifts to create the illusion of transparency.

  7. step 07

    Add highlights and shadows to enhance the form and create a sense of light.

  8. step 08

    Refine the details and make any necessary adjustments to the composition and color balance.

color palette

primary · titanium white · yellow ochre · alizarin crimson · ultramarine blue

secondary · raw umber · cadmium yellow · viridian

Achieve the soft, luminous colors by mixing white with small amounts of other colors. Use glazes of diluted color to create depth and transparency, especially in the veil.

techniques

  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Making the veil look too opaque or heavy.
  • →Getting the proportions of the figures wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. A medium can be used to thin the paint and improve flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke