apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Love and His Counterfeits
Love and His Counterfeits by Eleanor Fortescue-Brickdale

plate no. 8434

Love and His Counterfeits

Eleanor Fortescue-Brickdale

oilRomanticismsymbolic paintingfiguresarchitecturefantasycastlewingsprocession
experienced study

Recreating this painting will help students develop skills in rendering complex figures and drapery, as well as understanding atmospheric perspective and color harmony in a detailed composition. It will also improve their ability to create a narrative scene with symbolic elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a detailed sketch of the composition, paying attention to the placement and proportions of the figures and architecture.

  2. step 02

    Establish the basic color blocks for the background, architecture, and figures using thin washes.

  3. step 03

    Begin layering colors to build up the forms and create depth, focusing on the light and shadow patterns.

  4. step 04

    Develop the details of the figures, including facial features, clothing, and accessories.

  5. step 05

    Add the symbolic elements, such as the wings, doves, and other details, carefully rendering their textures and colors.

  6. step 06

    Refine the overall composition by adjusting values, colors, and details to create a sense of harmony and balance.

  7. step 07

    Add final highlights and shadows to enhance the three-dimensionality of the forms.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a soft, luminous effect.

color palette

primary · yellow ochre · alizarin crimson · ultramarine blue

secondary · burnt umber · titanium white · cadmium red

Achieve the muted, atmospheric colors by mixing primary colors with white and umber. Use glazes of diluted colors to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated and bright.
  • →Losing the overall composition by focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (yellow ochre, alizarin crimson, ultramarine blue, burnt umber, titanium white, cadmium red)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Turpentine or odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke