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home·artworks·Love Among the Ruins
Love Among the Ruins by Edward Burne-Jones

plate no. 3958

Love Among the Ruins

Edward Burne-Jones, 1894

oil, canvasRomanticismgenre paintingfiguresarchitecturerosesgardenruinsembracing
experienced study

Recreating this painting will help students develop skills in rendering complex drapery folds and capturing subtle skin tones in varied lighting. It also provides practice in depicting intricate architectural details and organic forms like roses.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures, architectural elements, and rose bushes.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the background and figures.

  3. step 03

    Develop the architectural details, focusing on accurate perspective and subtle variations in tone.

  4. step 04

    Build up the drapery folds on the figures, paying close attention to the direction of light and shadow.

  5. step 05

    Refine the skin tones, using subtle glazing techniques to create depth and luminosity.

  6. step 06

    Add the roses and foliage, capturing their delicate forms and colors.

  7. step 07

    Introduce highlights and shadows to enhance the overall sense of depth and realism.

  8. step 08

    Add final details and adjust values to create a cohesive and harmonious composition.

color palette

primary · ivory black · ultramarine blue · burnt umber · yellow ochre

secondary · alizarin crimson · titanium white · sap green

Mix various shades of brown and gray by combining burnt umber, ivory black, and yellow ochre. Achieve the blue tones by mixing ultramarine blue with ivory black and titanium white. Create the pinks for the roses by combining alizarin crimson and titanium white.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·drapery rendering
  • ·portraiture

common pitfalls

  • →overworking the details
  • →inaccurate proportions of figures
  • →muddy color mixing
  • →lack of value contrast
  • →ignoring the light source

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·titanium white oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium like linseed oil to improve the flow of the paint and create glazes.

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