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home·artworks·Louis Philippe D'orléans, Duc de Chartres en 1792
Louis Philippe D'orléans, Duc de Chartres en 1792 by Léon Cogniet

plate no. 2052

Louis Philippe D'orléans, Duc de Chartres en 1792

Léon Cogniet

oilRomanticismportraitportraitfiguremilitary uniformlandscapeskyclouds
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as blending techniques to create smooth transitions in skin tones and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the proportions and pose of the figure.

  2. step 02

    Block in the main areas of color: the background sky, the figure's clothing, and the landscape.

  3. step 03

    Focus on the face, building up layers of color to create the skin tones and features.

  4. step 04

    Add details to the uniform, paying attention to the gold trim and buttons.

  5. step 05

    Refine the background landscape, adding depth and atmosphere.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Glaze the painting to unify the colors and add depth.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · ivory black · titanium white · raw umber · yellow ochre

secondary · burnt sienna · cadmium yellow · ultramarine blue · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Mix black and umber for the uniform, adding touches of blue for depth. Use white and blue for the sky, adding touches of yellow and red for the sunset.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·chiaroscuro
  • ·rendering of fabrics

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overblending, resulting in a flat, lifeless appearance.
  • →Inaccurate skin tones.
  • →Getting lost in the details before establishing the overall form.
  • →Not paying attention to the light source.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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