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home·artworks·Louis III et Carloman, Rois De France, Fils de Louis le Bègue, Rois de France
Louis III et Carloman, Rois De France, Fils de Louis le Bègue, Rois de France by Charles de Steuben

plate no. 9416

Louis III et Carloman, Rois De France, Fils de Louis le Bègue, Rois de France

Charles de Steuben

oilRomanticismportraitfiguresportraitscrownsrobesscepterhistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing the depiction of fabrics and metallic objects.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figures and their features.

  2. step 02

    Block in the background with a dark, muted tone.

  3. step 03

    Establish the main values on the faces, focusing on highlights and shadows.

  4. step 04

    Begin layering colors to build up the skin tones, blending carefully.

  5. step 05

    Paint the robes and other clothing, paying attention to the folds and drapery.

  6. step 06

    Add details to the crowns and scepter, using highlights to create a metallic effect.

  7. step 07

    Refine the details of the faces and hands, adding subtle variations in color and texture.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic image.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · Prussian blue · cadmium yellow · alizarin crimson

Achieve skin tones by mixing yellow ochre, burnt sienna, and titanium white, with small amounts of red or blue to adjust the temperature. Use dark mixes of blue and brown for the robes, and add touches of yellow for highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·rendering metal
  • ·fabric depiction

common pitfalls

  • →Getting the proportions of the faces wrong
  • →Over-blending the skin tones
  • →Failing to create a sense of depth
  • →Making the metallic elements look flat

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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