
plate no. 9416
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing the depiction of fabrics and metallic objects.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figures and their features.
Block in the background with a dark, muted tone.
Establish the main values on the faces, focusing on highlights and shadows.
Begin layering colors to build up the skin tones, blending carefully.
Paint the robes and other clothing, paying attention to the folds and drapery.
Add details to the crowns and scepter, using highlights to create a metallic effect.
Refine the details of the faces and hands, adding subtle variations in color and texture.
Make final adjustments to the values and colors to create a cohesive and realistic image.
color palette
primary · ivory black · raw umber · yellow ochre · titanium white
secondary · Prussian blue · cadmium yellow · alizarin crimson
Achieve skin tones by mixing yellow ochre, burnt sienna, and titanium white, with small amounts of red or blue to adjust the temperature. Use dark mixes of blue and brown for the robes, and add touches of yellow for highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke