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home·artworks·Louis De Luxembourg, Constable of France in 1465
Louis De Luxembourg, Constable of France in 1465 by Charles de Steuben

plate no. 2973

Louis De Luxembourg, Constable of France in 1465

Charles de Steuben

oilRomanticismportraitportraitfigurearmorclothingcolumnlandscape
experienced study

Recreating this painting will help students develop skills in rendering realistic textures, such as metal and fabric, and understanding light and shadow to create form. It also provides practice in portraiture and capturing likeness.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, paying attention to proportions and placement of the figure and objects.

  2. step 02

    Block in the main shapes and colors, focusing on the large areas of the background, clothing, and armor.

  3. step 03

    Establish the light source and begin to define the shadows and highlights on the figure and objects.

  4. step 04

    Develop the details of the face, including the eyes, nose, and mouth, using subtle color variations and blending.

  5. step 05

    Refine the textures of the clothing and armor, adding details such as folds, wrinkles, and reflections.

  6. step 06

    Paint the background details, such as the column and landscape, using soft, blended brushstrokes.

  7. step 07

    Add the small details, such as the chainmail, jewelry, and the lions on the tunic.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic painting.

color palette

primary · ivory black · burnt umber · cadmium red · titanium white

secondary · yellow ochre · ultramarine blue

Mix ivory black and burnt umber for the dark tones of the armor and shadows. Use cadmium red mixed with white for the lions on the tunic. Mix ultramarine blue and white with a touch of burnt umber for the sky.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the painting process.
  • →Failing to create a sense of depth and atmosphere.
  • →Not paying enough attention to the light source and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color charts

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for the painting.

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oil painting for beginners →how to learn by studying the masters →
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