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home·artworks·Lotus Lilies
Lotus Lilies by Charles Courtney Curran

plate no. 4317

Lotus Lilies

Charles Courtney Curran, 1888

oilImpressionismgenre paintingfigureswater liliesboatwaterlandscapeumbrella
some experience helpful

Recreating this painting will help students develop skills in rendering figures in light and shadow, as well as capturing the subtle color variations in a complex natural scene. It also provides practice in creating depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, boat, and major lily pads.

  2. step 02

    Establish the background landscape with broad strokes of muted greens and browns.

  3. step 03

    Block in the main shapes of the figures, paying attention to their proportions and poses.

  4. step 04

    Begin adding details to the figures' clothing, using lighter values for areas in sunlight and darker values for shadows.

  5. step 05

    Paint the lily pads and flowers, varying the colors and values to create depth and realism.

  6. step 06

    Add reflections in the water, using broken brushstrokes to suggest movement.

  7. step 07

    Refine the details of the faces and hands, paying attention to the subtle nuances of light and shadow.

  8. step 08

    Add final highlights and details to the entire painting to create a sense of realism and depth.

color palette

primary · yellow ochre · titanium white · viridian green · burnt umber

secondary · ultramarine blue · cadmium yellow light · alizarin crimson

Mix various shades of green by blending viridian green with yellow ochre and titanium white. Create muted browns by mixing burnt umber with ultramarine blue and a touch of alizarin crimson. Achieve the creamy whites by gradually adding titanium white to yellow ochre and a touch of ultramarine.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →overworking details too early
  • →creating flat, lifeless colors
  • →failing to establish a clear focal point
  • →inaccurate proportions of figures

materials

surface · stretched canvas

required

  • ·stretched canvas 18x36
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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