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Lotte by Carlos Schwabe

plate no. 4628

Lotte

Carlos Schwabe, 1908

oilArt Nouveau (Modern)portraitportraitfigurewomanclothinghandsheadband
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones with subtle color variations. It also provides practice in depicting fabric and textures.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the main areas of color, starting with the background and then the skin tones.

  3. step 03

    Begin layering colors to build up the form of the face and hands, paying attention to highlights and shadows.

  4. step 04

    Add details to the clothing, including the lace pattern and folds in the fabric.

  5. step 05

    Refine the facial features, focusing on the eyes, nose, and mouth.

  6. step 06

    Add the headband and hair, paying attention to the light and shadow.

  7. step 07

    Adjust the values and colors as needed to create a sense of depth and realism.

  8. step 08

    Add final details, such as the ring and any subtle highlights.

color palette

primary · raw umber · yellow ochre · titanium white · burnt sienna

secondary · ultramarine blue · ivory black · alizarin crimson

Mix skin tones by blending yellow ochre, burnt sienna, and titanium white. Use small amounts of ultramarine blue and alizarin crimson to create shadows and add depth.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·portraiture

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle color variations in the shadows and highlights.
  • →Getting lost in the details of the clothing and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a smooth canvas to allow for easy blending. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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