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Lord Byron by Thomas Sully

plate no. 0380

Lord Byron

Thomas Sully, 1828

oilRomanticismportraitportraitfiguremanclothinghairbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating soft, blended backgrounds and depicting fabric folds.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the angle of the head and placement of features.

  2. step 02

    Establish the background with broad, blended strokes of muted browns and grays.

  3. step 03

    Block in the main areas of color for the skin, hair, and clothing, focusing on the overall value structure.

  4. step 04

    Begin refining the facial features, using subtle color variations to create highlights and shadows.

  5. step 05

    Develop the details of the clothing, paying attention to the way the fabric drapes and folds.

  6. step 06

    Add highlights to the hair and skin to create a sense of light and dimension.

  7. step 07

    Refine the background and foreground, adding subtle details to create depth.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the overall effect.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ultramarine blue · ivory black · sap green

Skin tones are achieved by mixing white, yellow ochre, cadmium red, and a touch of burnt umber. The background is created with muted browns, grays, and greens, mixed from the primary colors.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·color mixing
  • ·value study

common pitfalls

  • →Overworking the details and losing the overall sense of form.
  • →Using colors that are too bright or saturated.
  • →Failing to capture the likeness of the subject.
  • →Creating harsh lines or edges.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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