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home·artworks·Looking Across the Grand Canyon
Looking Across the Grand Canyon by Edward Henry Potthast

plate no. 7798

Looking Across the Grand Canyon

Edward Henry Potthast, 1910

oilImpressionismlandscapecanyonlandscapemountainsskycloudstrees
some experience helpful

Recreating this painting will help students develop skills in color mixing to create atmospheric perspective and layering brushstrokes to build texture and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the canyon walls and the horizon line.

  2. step 02

    Establish the darkest and lightest values to create a sense of depth.

  3. step 03

    Block in the large areas of color, focusing on the overall color temperature of each section.

  4. step 04

    Begin layering brushstrokes to build up the texture of the canyon walls.

  5. step 05

    Mix colors to create the atmospheric perspective, making distant objects cooler and lighter.

  6. step 06

    Add details to the foreground, such as trees and rocks.

  7. step 07

    Refine the highlights and shadows to create a sense of form.

  8. step 08

    Add final touches and adjust colors as needed.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · yellow ochre · cadmium red · viridian green

Mix blues and browns with white to create the hazy atmosphere. Use red and yellow to create the warm tones of the canyon walls. Add small amounts of green to the shadows.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·layering
  • ·impasto

common pitfalls

  • →Overblending colors, which can flatten the image.
  • →Neglecting to create a sense of depth.
  • →Using colors that are too saturated.
  • →Ignoring the importance of value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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