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home·artworks·Loggia (the Founding of Rome)
Loggia (the Founding of Rome) by Gentile da Fabriano

plate no. 9533

Loggia (the Founding of Rome)

Gentile da Fabriano

oilInternational Gothicmythological paintingfiguresarchitecturearchescolumnsstatueinterior
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a historical style and understanding atmospheric perspective to create depth. It will also help to practice color mixing to achieve muted and aged tones.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic architectural structure, focusing on the arches and columns.

  2. step 02

    Lightly sketch the figures, paying attention to their poses and proportions.

  3. step 03

    Block in the main colors of the background architecture, using thin washes.

  4. step 04

    Start layering the colors on the figures, building up the tones gradually.

  5. step 05

    Add details to the faces and clothing, using smaller brushes.

  6. step 06

    Refine the architectural details, such as the column capitals and arch decorations.

  7. step 07

    Add the statue in the center, focusing on its form and light.

  8. step 08

    Apply a final glaze to unify the painting and create an aged effect.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · yellow ochre · Prussian blue · cadmium red light

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use thin washes of color to build up the layers and create depth.

techniques

  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·underpainting
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated.
  • →Failing to create a sense of depth and atmosphere.
  • →Incorrect proportions of figures and architecture

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a canvas with a smooth surface to allow for fine details and glazing. Consider using a toned canvas to establish a base color.

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