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home·artworks·Little Gossips
Little Gossips by Jane Sutherland

plate no. 7390

Little Gossips

Jane Sutherland

oilImpressionismlandscapetreesfigureslandscapegrassforestchildren
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing the subtle variations in light and shadow within a natural setting. It also offers practice in depicting figures within a landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and figures.

  2. step 02

    Establish the background with a thin wash of muted greens and blues to create depth.

  3. step 03

    Block in the main shapes of the trees using darker browns and grays, paying attention to the direction of light.

  4. step 04

    Add details to the tree bark, using short, broken brushstrokes to create texture.

  5. step 05

    Paint the figures with simple shapes and muted colors, focusing on capturing their form and posture.

  6. step 06

    Develop the foreground with layers of greens, yellows, and browns to create the impression of grass and foliage.

  7. step 07

    Add highlights and shadows to create dimension and depth throughout the painting.

  8. step 08

    Refine the details and adjust the colors as needed to achieve a harmonious and balanced composition.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · sap green · raw sienna · alizarin crimson

Achieve the muted greens by mixing yellow ochre with sap green and a touch of burnt umber. Create the bark colors by mixing burnt umber with white and small amounts of yellow ochre or raw sienna.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and atmosphere.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium (e.g., Liquin)

Use a medium-textured canvas to help create the broken color effect. Consider using a limited palette to achieve color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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