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home·artworks·Little Girl in a Red Beret
Little Girl in a Red Beret by Mary Cassatt

plate no. 4275

Little Girl in a Red Beret

Mary Cassatt, 1898

oil, canvasImpressionismportraitportraitfiguregirlred beretpinkgreen background
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing, and capturing light and shadow with loose brushstrokes. It's a good exercise in simplifying forms and focusing on essential details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the girl's figure and face.

  2. step 02

    Block in the background with broad strokes of green, varying the tones slightly.

  3. step 03

    Establish the main areas of color on the face, hat, and clothing, using thin washes.

  4. step 04

    Begin building up layers of paint, focusing on the light and shadow on the face.

  5. step 05

    Define the features of the face with subtle variations in color and value.

  6. step 06

    Add details to the clothing and hat, paying attention to the folds and textures.

  7. step 07

    Refine the background, adding depth and interest with subtle color changes.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · rose madder · viridian green · yellow ochre · titanium white

secondary · cadmium red · raw umber

Mix various shades of pink by combining rose madder and titanium white. Create different greens by mixing viridian green with yellow ochre and white. Use raw umber to create shadows and deepen colors.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·portraiture
  • ·color temperature

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the subtle variations in color and value.
  • →Getting the proportions of the face wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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