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home·artworks·Little Girl Holding Flowers, Portrait of Nancy Graham
Little Girl Holding Flowers, Portrait of Nancy Graham by Henry Raeburn

plate no. 7009

Little Girl Holding Flowers, Portrait of Nancy Graham

Henry Raeburn, 1798

oil, canvasRomanticismportraitportraitfigurechilddressflowersdark background
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and subtle skin tones, as well as understanding how to create depth and atmosphere with a limited palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, focusing on proportions and pose.

  2. step 02

    Block in the background with dark, muted tones, establishing the overall value structure.

  3. step 03

    Establish the light source and begin to build up the form of the face with thin layers of paint, focusing on highlights and shadows.

  4. step 04

    Develop the dress, paying attention to the folds and how light interacts with the fabric.

  5. step 05

    Paint the hands and flowers, simplifying the details and focusing on the overall impression.

  6. step 06

    Refine the facial features, adding details to the eyes, nose, and mouth.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of harmony and depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · alizarin crimson · burnt sienna

Mix various shades of skin tones by combining titanium white, yellow ochre, and small amounts of burnt sienna and alizarin crimson. Use ivory black and raw umber for the dark background, adding small amounts of yellow ochre to create subtle variations.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Overworking the details in the face, resulting in a stiff or unnatural appearance.
  • →Failing to establish a strong value structure, leading to a flat or muddy painting.
  • →Getting the proportions wrong in the initial sketch.
  • →Using colors that are too bright or saturated, which can detract from the overall mood.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ivory black, raw umber, titanium white, yellow ochre, alizarin crimson, burnt sienna)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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