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home·artworks·Little Florist
Little Florist by Thomas Francis Dicksee

plate no. 0856

Little Florist

Thomas Francis Dicksee

oilRomanticismportraitfigureportraitflowersfoliagedresschild
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practice painting delicate details like fabric folds and floral arrangements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the oval composition and the placement of the figure, flowers, and background elements.

  2. step 02

    Establish the background with dark, blended tones, gradually adding highlights to suggest foliage and depth.

  3. step 03

    Block in the basic shapes and values of the figure, focusing on accurate proportions and anatomical structure.

  4. step 04

    Mix and apply skin tones, paying close attention to subtle variations in color and value to create a realistic effect.

  5. step 05

    Develop the details of the dress, using light and shadow to define the folds and texture of the fabric.

  6. step 06

    Paint the flowers, capturing their individual shapes, colors, and textures with careful brushwork.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth, to capture the likeness of the child.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · titanium white · ivory black · yellow ochre · alizarin crimson

secondary · viridian · ultramarine blue · raw umber

Achieve skin tones by mixing titanium white, yellow ochre, alizarin crimson, and a touch of ivory black. Create greens by mixing viridian with yellow ochre or ultramarine blue.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·rendering

common pitfalls

  • →Inaccurate proportions or anatomical structure of the figure.
  • →Overly harsh or unrealistic skin tones.
  • →Lack of depth and dimension in the background.
  • →Failure to capture the delicate details of the flowers and fabric.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·viridian oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw umber oil paint
  • ·ultramarine blue oil paint

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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