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home·artworks·Little brat
Little brat by Ernest Hébert

plate no. 3133

Little brat

Ernest Hébert

oil, canvasRomanticismportraitportraitchildgirlclothingjewelryhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and subtle skin tones, as well as rendering complex textures like hair and fabric.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the girl on the canvas.

  2. step 02

    Establish the background with a thin wash of warm brown tones.

  3. step 03

    Block in the main shapes of the face, hair, and clothing, focusing on accurate placement.

  4. step 04

    Begin layering skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Develop the hair by painting individual strands and clusters, paying attention to light and shadow.

  6. step 06

    Refine the details of the clothing, jewelry, and facial features.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ultramarine blue · ivory black · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and black for shadows, and add blue to cool down the tones. Mix browns with blue and red to create the darker colors of the dress.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·layering

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the hair look flat and lifeless.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, burnt umber, yellow ochre, cadmium red, ultramarine blue, ivory black, raw sienna)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags or paper towels

optional

  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use high-quality oil paints for best results. A medium can be used to speed up drying time and improve blending.

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