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Lisen Lamm by Anders Zorn

plate no. 4726

Lisen Lamm

Anders Zorn

oilArt Nouveau (Modern)portraitportraitfiguredresschairorange background
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering fabric textures with loose brushwork. It also provides practice in creating depth and form using subtle value changes and color temperature.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and chair.

  2. step 02

    Establish the overall color scheme by laying in thin washes of color for the background and main areas of the figure.

  3. step 03

    Begin building up the values and details in the face, focusing on capturing the likeness and expression.

  4. step 04

    Develop the form of the dress and jacket, paying attention to the folds and highlights.

  5. step 05

    Add details to the chair and background, using loose brushstrokes to create texture and interest.

  6. step 06

    Refine the edges and details, ensuring a balance between sharpness and softness.

  7. step 07

    Add final highlights and shadows to enhance the overall depth and dimension.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the composition, color, or value.

color palette

primary · burnt sienna · yellow ochre · titanium white · raw umber

secondary · cadmium orange · ultramarine blue · alizarin crimson

Achieve the skin tones by mixing burnt sienna, yellow ochre, and titanium white, with small amounts of alizarin crimson and ultramarine blue for shadows. The orange background is achieved by mixing cadmium orange and burnt sienna, lightened with white.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·scumbling
  • ·glazing
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Failing to capture the likeness of the subject.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle value changes that create form and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a medium to thin the paint and improve its flow.

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oil painting for beginners →how to learn by studying the masters →
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