
plate no. 2576
Edward R. Taylor, 1880
Recreating this painting will help students develop skills in atmospheric perspective and rendering architectural details with loose brushwork. It also provides practice in capturing subtle color variations in natural light.
technical profile
approach — 8 steps
Sketch the basic shapes of the cathedral and cloister, paying attention to perspective.
Block in the main color areas: sky, building, grass, and cloister roof.
Establish the light source and begin adding shadows and highlights to create depth.
Develop the architectural details of the cloister, focusing on the arches and windows.
Add the figures and pigeons, keeping them simple and in proportion to the surroundings.
Refine the colors and values, paying attention to atmospheric perspective.
Add final details and highlights to create a sense of realism.
Review and adjust the overall composition and color balance.
color palette
primary · raw umber · yellow ochre · titanium white
secondary · burnt sienna · sap green · ultramarine blue
Use raw umber and yellow ochre mixed with white for the building. Mix sap green and yellow ochre with a touch of blue for the grass. Burnt sienna can be used for the roof and accents.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to allow for better brushwork. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke