apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lilies, a Present from the Daughter
Lilies, a Present from the Daughter by Tetyana Yablonska

plate no. 2468

Lilies, a Present from the Daughter

Tetyana Yablonska, 1997

oil, canvasImpressionismflower paintingflowersliliesstill lifefloral arrangementleaves
some experience helpful

This painting is a good exercise in capturing the form of flowers with loose brushstrokes and subtle color variations. Students can learn to create depth and dimension using value changes within a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the lilies and stems.

  2. step 02

    Block in the background with a thin wash of gray and subtle browns.

  3. step 03

    Begin layering in the white petals, paying attention to the light and shadow areas.

  4. step 04

    Add the green stems and leaves, varying the shades of green.

  5. step 05

    Refine the shapes and details of the flowers, adding highlights and shadows.

  6. step 06

    Use short, broken brushstrokes to create texture and visual interest.

  7. step 07

    Add the stamens and other small details.

  8. step 08

    Review and adjust the overall composition and color balance.

color palette

primary · titanium white · raw umber · sap green

secondary · cadmium yellow light · ultramarine blue

Mix various shades of white by adding small amounts of raw umber, blue, or yellow. Create muted greens by mixing sap green with raw umber or blue.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·alla prima
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Making the whites too stark and flat.
  • →Ignoring the subtle color variations in the petals.
  • →Not creating enough depth in the background.
  • →Getting the proportions of the flowers wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·sap green oil paint
  • ·#4 round brush
  • ·#6 filbert brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·medium gloss
  • ·cadmium yellow light oil paint
  • ·ultramarine blue oil paint

Use a medium-textured canvas to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann