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home·artworks·Lilacs and Mountains
Lilacs and Mountains by Maurice Braun

plate no. 3681

Lilacs and Mountains

Maurice Braun, 1920

oilImpressionismlandscapemountainswaterskyfigureslandscapehills
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and loose brushwork to create a sense of depth and texture. Students will also learn to simplify complex landscapes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, dividing the canvas into sky, mountains, water, and foreground hills.

  2. step 02

    Establish the horizon line and the placement of the figures.

  3. step 03

    Block in the large areas of color for the sky, mountains, and water, focusing on value relationships.

  4. step 04

    Add the darker values to the foreground hills, creating depth and form.

  5. step 05

    Begin adding details to the foreground, using loose brushstrokes to suggest foliage and texture.

  6. step 06

    Paint the figures on horseback, simplifying their forms and focusing on their silhouette.

  7. step 07

    Refine the details in the mountains and sky, adding subtle color variations.

  8. step 08

    Add highlights and final touches to the foreground to create a sense of light and atmosphere.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna · payne's gray

Mix various shades of gray and blue for the sky and mountains. Use burnt umber and yellow ochre for the foreground hills, adding white for highlights.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brush
  • ·alla prima

common pitfalls

  • →Overworking the details in the foreground, losing the sense of atmosphere.
  • →Creating too much contrast, making the painting look flat.
  • →Failing to establish a clear value structure, resulting in a muddy painting.
  • →Not simplifying the forms of the figures, making them look out of place.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes #2, #6, #8
  • ·palette knife
  • ·linseed oil
  • ·palette
  • ·mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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