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home·artworks·Life of St Benedict, Scene 8. Benedict is Tempted (detail)
Life of St Benedict, Scene 8. Benedict is Tempted (detail) by Il Sodoma

plate no. 6620

Life of St Benedict, Scene 8. Benedict is Tempted (detail)

Il Sodoma, 1508

frescoHigh Renaissancereligious paintingfigurelandscapetreeswaterskyreligious
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering the human form with subtle tonal variations. It also provides practice in creating a believable landscape with depth.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: figures, landscape, and major trees.

  2. step 02

    Establish the basic color washes for the sky and water, focusing on the atmospheric perspective.

  3. step 03

    Block in the main shapes of the landscape elements, gradually adding details to the trees and foliage.

  4. step 04

    Begin modeling the figures with light and shadow, paying attention to anatomical accuracy.

  5. step 05

    Refine the details of the figures, including facial features and drapery folds.

  6. step 06

    Add details to the landscape, such as the bridge, figures on horseback, and distant buildings.

  7. step 07

    Adjust the overall color balance and value contrast to create a sense of depth and harmony.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · Prussian blue · burnt sienna · cadmium red light

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use glazes of diluted color to build up depth and luminosity.

techniques

  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing
  • ·tonal modeling
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear sense of atmospheric perspective.
  • →Inaccurate proportions in the figures.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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