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home·artworks·Life of St Benedict, Scene 5. The Devil Destroys the Little Bell
Life of St Benedict, Scene 5. The Devil Destroys the Little Bell by Il Sodoma

plate no. 0687

Life of St Benedict, Scene 5. The Devil Destroys the Little Bell

Il Sodoma, 1508

frescoHigh Renaissancereligious paintingfigureslandscaperockstreesarchitecturereligious
some experience helpful

Recreating this painting will help students develop skills in rendering figures in drapery and creating atmospheric perspective in landscapes. It provides practice in depicting complex rock formations and architectural elements.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and major landscape elements.

  2. step 02

    Establish the light source and map out the areas of light and shadow on the figures and rocks.

  3. step 03

    Begin blocking in the sky and distant landscape with thin washes of color.

  4. step 04

    Develop the rock formations, layering colors to create depth and texture.

  5. step 05

    Paint the figures, paying attention to the folds and highlights in the drapery.

  6. step 06

    Add details to the trees and other vegetation, varying the brushstrokes to create texture.

  7. step 07

    Refine the architectural elements in the background, focusing on perspective.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · raw umber · yellow ochre · titanium white

secondary · cerulean blue · burnt sienna · ivory black

Achieve the muted tones by mixing earth tones with white and small amounts of blue or black. Use thin washes of color to build up depth and atmosphere.

techniques

  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →overworking the details
  • →creating muddy colors
  • →losing the sense of depth
  • →inaccurate proportions of figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Thin the oil paints with linseed oil or turpentine for glazing.

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