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home·artworks·Life of St Benedict, Scene 4.The Monk Romanus Dresses Benedict (detail)
Life of St Benedict, Scene 4.The Monk Romanus Dresses Benedict (detail) by Il Sodoma

plate no. 9660

Life of St Benedict, Scene 4.The Monk Romanus Dresses Benedict (detail)

Il Sodoma, 1508

frescoHigh Renaissancereligious paintingfigureslandscapecityscapearchitectureskybirds
some experience helpful

Recreating this painting will help students develop skills in rendering figures with drapery and creating atmospheric perspective in landscapes. It also provides practice in depicting complex architectural details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: figures, cityscape, and landscape.

  2. step 02

    Establish the basic color blocks for the sky, city, and foreground landscape.

  3. step 03

    Begin layering in details of the cityscape, focusing on the architectural forms and their relative sizes.

  4. step 04

    Develop the figures, paying attention to the folds and shadows in the drapery.

  5. step 05

    Add details to the landscape, including trees, rocks, and variations in the ground plane.

  6. step 06

    Refine the sky with subtle color variations and cloud formations.

  7. step 07

    Add the birds in the sky as a final detail.

  8. step 08

    Glaze with thin layers to unify the painting and create depth.

color palette

primary · yellow ochre · raw umber · titanium white · cerulean blue

secondary · burnt sienna · viridian green · ivory black

Achieve the muted tones by mixing earth pigments with white and small amounts of blue or green. Use thin washes of color to build up depth and create atmospheric perspective.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering drapery
  • ·linear perspective

common pitfalls

  • →Overworking the details in the cityscape too early.
  • →Creating overly saturated colors that clash with the muted palette.
  • →Failing to establish a clear sense of depth and atmospheric perspective.
  • →Ignoring the subtle variations in value and color within the drapery.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use a fine-grain canvas to allow for detailed brushwork. Thin the oil paints with linseed oil to create glazes.

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