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home·artworks·Life of St Benedict, Scene 33. Benedict Gives Posthumous Absolution to Two Nuns
Life of St Benedict, Scene 33. Benedict Gives Posthumous Absolution to Two Nuns by Il Sodoma

plate no. 4483

Life of St Benedict, Scene 33. Benedict Gives Posthumous Absolution to Two Nuns

Il Sodoma, 1508

frescoHigh Renaissancereligious paintingfiguresarchitectureinteriorreligious scenecolumnsaltar
experienced study

Recreating this painting will help students develop skills in figure drawing, perspective, and creating a sense of depth through atmospheric perspective and value changes. It also provides practice in rendering drapery and architectural details.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and perspective of the architectural space.

  2. step 02

    Rough in the placement of the figures, paying attention to their relative sizes and positions.

  3. step 03

    Block in the basic colors for the architecture, figures, and drapery, focusing on the overall value structure.

  4. step 04

    Develop the details of the architecture, including the columns, arches, and decorative elements.

  5. step 05

    Refine the figures, adding details to their faces, hands, and clothing.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Pay attention to the subtle color variations in the drapery and skin tones.

  8. step 08

    Add final details and adjustments to complete the painting.

color palette

primary · ochre · burnt umber · titanium white

secondary · ultramarine blue · cadmium red light · viridian

Achieve the muted tones by mixing earth tones with white and small amounts of blues and reds. Use glazes to build up color depth in the drapery.

techniques

  • ·underpainting
  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Incorrect perspective leading to a distorted space.
  • →Overworking the details and losing the overall harmony.
  • →Getting the proportions of the figures wrong.
  • →Using colors that are too saturated and bright.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a high-quality canvas and oil paints for best results. Consider using a medium to thin the paints and improve their flow.

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