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home·artworks·Life of St Benedict, Scene 15. Benedict Fishes the Pieces of a Broken Ax (detail)
Life of St Benedict, Scene 15. Benedict Fishes the Pieces of a Broken Ax (detail) by Il Sodoma

plate no. 6197

Life of St Benedict, Scene 15. Benedict Fishes the Pieces of a Broken Ax (detail)

Il Sodoma, 1508

frescoHigh Renaissancereligious paintinglandscapefigureswatertreesbridgearchitecture
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as painting figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the landmasses, water, and figures.

  2. step 02

    Establish the sky and water with thin washes of color, creating a sense of atmosphere.

  3. step 03

    Block in the larger shapes of the trees and foliage, using a limited palette of greens and blues.

  4. step 04

    Add details to the architecture and bridge, paying attention to perspective.

  5. step 05

    Paint the figures, focusing on their poses and interactions with the environment.

  6. step 06

    Refine the details of the foliage and water, adding highlights and shadows.

  7. step 07

    Add final details and glazes to unify the painting and create a sense of depth.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna

Mix blues and umbers with white to create the muted tones of the sky and water. Use yellow ochre and burnt sienna to create the warm tones of the land and architecture.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a clear sense of depth and perspective.
  • →Inaccurately portraying the human figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (small and medium)
  • ·flat brushes (medium)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (if using oil paints)

optional

  • ·retarder medium
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Acrylics are more beginner-friendly, but oils allow for more subtle blending.

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