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home·artworks·Life of St Benedict, Scene 12. Benedict Receives Maurus and Placidus
Life of St Benedict, Scene 12. Benedict Receives Maurus and Placidus by Il Sodoma

plate no. 1870

Life of St Benedict, Scene 12. Benedict Receives Maurus and Placidus

Il Sodoma, 1508

frescoHigh Renaissancereligious paintingfiguresarchitecturelandscapereligious scenehorsessky
experienced study

Recreating this painting will help students develop skills in figure drawing, composition, and creating depth through atmospheric perspective. It will also improve their understanding of color mixing to achieve subtle skin tones and fabric textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and architectural elements, paying attention to proportions and perspective.

  2. step 02

    Establish the background landscape and sky using thin washes of color, focusing on creating a sense of depth.

  3. step 03

    Block in the main color masses for each figure, using a limited palette of earth tones and gradually building up layers of color.

  4. step 04

    Refine the details of the faces and clothing, paying attention to the play of light and shadow to create form.

  5. step 05

    Add details to the architectural elements, such as the columns and arches, using a fine brush.

  6. step 06

    Introduce secondary colors to add interest and variation to the composition.

  7. step 07

    Glaze over areas to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · raw umber · titanium white · yellow ochre · Venetian red

secondary · Prussian blue · cadmium yellow light · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of Venetian red. Use raw umber and white to create the various shades of brown in the clothing and architecture. Mix Prussian blue with white to create the sky and distant landscape.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Getting proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth in the background.
  • →Not paying attention to the light source and how it affects the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·Venetian red oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a high-quality canvas with a smooth surface. Consider using a toned ground to help unify the colors.

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