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home·artworks·Life of St Benedict, Scene 11. Benedict Founds Twelve Monasteries
Life of St Benedict, Scene 11. Benedict Founds Twelve Monasteries by Il Sodoma

plate no. 7487

Life of St Benedict, Scene 11. Benedict Founds Twelve Monasteries

Il Sodoma, 1508

frescoHigh Renaissancereligious paintingfiguresarchitecturelandscapecolumnsmonksbuilding
some experience helpful

Recreating this painting will help students develop skills in rendering figures with drapery, creating atmospheric perspective, and understanding architectural perspective.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures, architectural elements, and landscape.

  2. step 02

    Establish the basic color blocks for the sky, landscape, and architecture using thin washes.

  3. step 03

    Begin layering in details for the figures, focusing on light and shadow to create form.

  4. step 04

    Develop the architectural details, paying attention to perspective and the fall of light on the columns and arches.

  5. step 05

    Add details to the background landscape, using lighter tones and less detail to create depth.

  6. step 06

    Refine the figures' drapery, adding folds and highlights to create a sense of volume.

  7. step 07

    Add final details to the faces and hands of the figures.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · burnt sienna · ultramarine blue · viridian green

Achieve the muted tones by mixing earth pigments with white and small amounts of blue or green. Use thin washes of burnt sienna to create warm shadows.

techniques

  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing
  • ·architectural perspective
  • ·underpainting

common pitfalls

  • →overworking details too early
  • →incorrect perspective
  • →muddy colors
  • →inaccurate proportions of figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes size 2, 4, 6

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. Apply gesso in thin layers, sanding between coats for a smooth surface.

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