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home·artworks·Life of St Benedict, Scene 1. Benedict Leaves His Parent's House
Life of St Benedict, Scene 1. Benedict Leaves His Parent's House by Il Sodoma

plate no. 4653

Life of St Benedict, Scene 1. Benedict Leaves His Parent's House

Il Sodoma, 1508

frescoHigh Renaissancereligious paintingfigureshorseslandscapecityscapeanimalsreligious scene
some experience helpful

Recreating this painting will help students develop skills in figure drawing, creating atmospheric perspective, and mixing subtle color variations for skin tones and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures, horses, and landscape elements.

  2. step 02

    Establish the background sky and distant cityscape with thin washes of color.

  3. step 03

    Block in the main color masses for the figures and horses, focusing on accurate proportions and anatomical structure.

  4. step 04

    Develop the light and shadow on the figures and drapery, using layering and glazing techniques.

  5. step 05

    Add details to the faces, hands, and clothing, paying attention to subtle variations in color and value.

  6. step 06

    Refine the landscape elements, adding details to the trees, buildings, and ground.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Glaze over the entire painting to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · yellow ochre · titanium white · cadmium red light

secondary · ultramarine blue · burnt sienna · ivory black

Achieve skin tones by mixing yellow ochre, cadmium red light, and titanium white. Create atmospheric perspective by adding ultramarine blue to distant colors.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·layering
  • ·color mixing

common pitfalls

  • →Incorrect proportions of figures and horses
  • →Overly saturated colors
  • →Lack of depth in the landscape
  • →Harsh or abrupt transitions between light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.

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