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home·artworks·Life is Like a Sundial
Life is Like a Sundial by Laslett John Pott

plate no. 3306

Life is Like a Sundial

Laslett John Pott, 1878

oilRomanticismgenre paintingfiguresgardensundialtreesarchitecturepeacock
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a landscape and understanding atmospheric perspective. It will also improve their ability to mix subtle color variations to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition, focusing on the placement of the figures, sundial, and architectural elements.

  2. step 02

    Block in the main areas of color, starting with the background and working forward.

  3. step 03

    Develop the values and forms of the figures, paying attention to the light and shadow.

  4. step 04

    Add details to the sundial, architecture, and foliage, using smaller brushes.

  5. step 05

    Refine the colors and values, blending where necessary to create a soft, atmospheric effect.

  6. step 06

    Add the peacock, paying attention to the details of the feathers.

  7. step 07

    Add final highlights and details to enhance the sense of depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · yellow ochre · burnt umber · titanium white · alizarin crimson

secondary · sap green · ultramarine blue · cadmium yellow

Mix various shades of brown and green by combining yellow ochre, burnt umber, sap green, and ultramarine blue. Achieve the skin tones by mixing alizarin crimson, yellow ochre, and titanium white.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details, which can make the painting look stiff and unnatural.
  • →Failing to establish a clear sense of depth and atmosphere.
  • →Inaccurate proportions of the figures.
  • →Using colors that are too saturated, which can detract from the overall harmony of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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