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home·artworks·Life and Thought Have Gone Away
Life and Thought Have Gone Away by Evelyn De Morgan

plate no. 3135

Life and Thought Have Gone Away

Evelyn De Morgan, 1893

oilRomanticismsymbolic paintingfiguresangelsarchitecturelandscapepeacocksymbolic
experienced study

Recreating this painting will help students develop skills in figure painting, rendering drapery, and creating atmospheric perspective. It also provides practice in color mixing to achieve subtle variations in skin tones and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures, architectural elements, and landscape features, paying attention to proportions and perspective.

  2. step 02

    Block in the basic colors for the background, including the sky, landscape, and architectural structure.

  3. step 03

    Begin painting the figures, starting with the underpainting to establish the values and skin tones.

  4. step 04

    Develop the drapery on the figures, paying attention to the folds and highlights to create a sense of volume.

  5. step 05

    Paint the angels, focusing on the subtle color variations in their wings and robes.

  6. step 06

    Add details to the architectural elements, such as the columns, arches, and decorative carvings.

  7. step 07

    Develop the landscape, adding details to the foliage, flowers, and other natural elements.

  8. step 08

    Refine the details throughout the painting, adjusting colors, values, and edges as needed to create a cohesive and harmonious composition.

color palette

primary · ivory black · yellow ochre · cadmium red · ultramarine blue

secondary · viridian · alizarin crimson · raw umber

Achieve skin tones by mixing yellow ochre, cadmium red, and titanium white. Create atmospheric perspective by adding blue to distant colors.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·layering

common pitfalls

  • →Incorrect proportions of figures
  • →muddy color mixing
  • →overworking details
  • →lack of atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes sizes 0-4
  • ·flat brushes sizes 2-8

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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