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home·artworks·Lieutenant Colonel L. Robson, CMG, DSO
Lieutenant Colonel L. Robson, CMG, DSO by Richard Jack

plate no. 3264

Lieutenant Colonel L. Robson, CMG, DSO

Richard Jack

oilImpressionismportraitportraitmilitarymanuniformfigurehelmet
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric and details of a military uniform.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, focusing on accurate placement of the head, shoulders, and hands.

  2. step 02

    Establish the background with broad strokes of dark green and brown, creating a slightly mottled effect.

  3. step 03

    Block in the main areas of the uniform with a mid-tone green, paying attention to the folds and creases.

  4. step 04

    Begin to refine the face, using a limited palette of skin tones to build up the highlights and shadows.

  5. step 05

    Add details to the uniform, such as buttons, straps, and insignia, using smaller brushes.

  6. step 06

    Develop the hands and helmet, paying attention to the subtle variations in tone and texture.

  7. step 07

    Refine the overall composition, adjusting the values and colors as needed to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · olive green · burnt umber · raw sienna · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Mix various shades of green by combining olive green, burnt umber, and yellow ochre. Achieve skin tones by mixing raw sienna, burnt umber, cadmium red, and titanium white. Use ultramarine blue and cadmium red for the ribbons.

techniques

  • ·portraiture
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall impression.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grit canvas for best results. Consider using a glazing medium to enhance the depth and richness of the colors.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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