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home·artworks·L'idéal victorien
L'idéal victorien by Edwin Austin Abbey

plate no. 6722

L'idéal victorien

Edwin Austin Abbey

oilRomanticismportraitportraitwomandressseahatlandscape
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering fabric textures with visible brushstrokes. It also provides practice in creating atmospheric perspective in the background.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements.

  2. step 02

    Block in the main color areas: the sky, sea, figure's dress, hat, and surrounding foliage.

  3. step 03

    Develop the background, using lighter blues and grays for the distant sea to create atmospheric perspective.

  4. step 04

    Begin refining the figure, focusing on the face and hands, building up layers of color to create realistic skin tones.

  5. step 05

    Add details to the dress, paying attention to the folds and highlights.

  6. step 06

    Paint the hat and other accessories, capturing their textures and colors.

  7. step 07

    Refine the foliage around the figure, adding details and variations in color.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · ultramarine blue · alizarin crimson · yellow ochre

secondary · viridian green · burnt umber · cadmium red light · ivory black

Mix various shades of blue and white for the sky and sea. Use alizarin crimson and white for the pink tones in the skin and dress. Mix greens with yellow ochre and ultramarine blue for the foliage.

techniques

  • ·portraiture
  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to create sufficient contrast between the figure and the background.
  • →Ignoring the subtle color variations in the dress and other fabrics.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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