
plate no. 2169
Pierre Roy, 1901
approach — 8 steps
Lightly sketch the horizon line, the figure, and the basic shapes of the hills.
Apply a light wash of diluted blue for the sky, leaving some areas white for clouds.
Mix a light yellow-brown for the distant hills and apply a thin wash.
Create a darker, warmer brown for the foreground hills and apply a wash, leaving some areas lighter.
While the foreground wash is still damp, drop in darker brown and green pigments to create texture and shadows.
Use a dry brush technique with darker browns and greens to add details to the vegetation and rocks.
Paint the figure with a dark blue-black, paying attention to the simple shapes and shadows.
Add final details and highlights to the vegetation and figure.
color palette
primary · ultramarine blue · yellow ochre · burnt umber
secondary · sap green · cadmium yellow
Mix yellow ochre and burnt umber in varying proportions to achieve the different shades of brown for the hills. Add a touch of blue to darken the browns. Use a lot of water to keep the washes light and transparent.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use a good quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve various textures.
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