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home·artworks·Les Marais Salants
Les Marais Salants by Edward E. Simmons

plate no. 6689

Les Marais Salants

Edward E. Simmons

oilImpressionismlandscapelandscapewaterskypathfencebuildings
some experience helpful

Recreating this painting will help students practice color mixing to achieve subtle atmospheric effects and learn to simplify complex scenes into basic shapes and values. It's a good exercise in creating depth through atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the horizon line and the placement of major elements like the path, water, and buildings.

  2. step 02

    Establish the sky with a thin wash of muted blues and grays, blending softly.

  3. step 03

    Block in the large shapes of the land and water with broad strokes, focusing on the overall value structure.

  4. step 04

    Develop the path and foreground, adding details like the fence and variations in the ground color.

  5. step 05

    Paint the distant buildings and trees, using lighter values and less detail to create atmospheric perspective.

  6. step 06

    Refine the water, adding reflections and subtle color variations.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Glaze to unify the painting.

color palette

primary · titanium white · yellow ochre · ultramarine blue · burnt umber

secondary · cadmium yellow · alizarin crimson · viridian

Achieve the muted tones by mixing complementary colors (e.g., blue and orange) with white. Use yellow ochre and burnt umber to create earth tones. Mix ultramarine blue and burnt umber for a neutral black.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing
  • ·glazing

common pitfalls

  • →Overworking details in the distance
  • →Creating too much contrast in the foreground
  • →Using colors that are too saturated
  • →Ignoring the value structure

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#4 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a limited palette to simplify color mixing. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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