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home·artworks·Les Invalides
Les Invalides by Henry Ossawa Tanner

plate no. 6860

Les Invalides

Henry Ossawa Tanner, 1896

oilImpressionismcityscapebuildingskyfigurescityscapedomearchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing light and shadow with loose brushstrokes. It also provides practice in simplifying complex architectural forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition, focusing on the placement of the building and figures.

  2. step 02

    Block in the sky with broad strokes, using a mix of blues, whites, and grays to create the cloudy effect.

  3. step 03

    Establish the base color of the foreground, using a warm yellow-brown and varying the tone slightly.

  4. step 04

    Start building up the form of the building, focusing on the overall shape and major shadow areas.

  5. step 05

    Add details to the building, such as windows and architectural features, but keep them simplified.

  6. step 06

    Paint the figures in the foreground, paying attention to their silhouettes and the way light falls on them.

  7. step 07

    Add the details of the trees and the fence in the background.

  8. step 08

    Refine the painting with small details and adjustments to values and colors.

color palette

primary · yellow ochre · ultramarine blue · titanium white

secondary · burnt umber · raw sienna · ivory black

Achieve the sky color by mixing ultramarine blue, white, and a touch of yellow ochre. Use burnt umber and yellow ochre to create the warm tones of the building and foreground. Vary the tones by adding white or black.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·implied detail

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating too much contrast and making the painting look harsh.
  • →Failing to establish a clear sense of depth and atmospheric perspective.
  • →Making the building too symmetrical and rigid.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. A limited palette of colors can be used to achieve a wide range of tones.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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