apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Les Deux Garçons II
Les Deux Garçons II by Petru Bat

plate no. 9792

Les Deux Garçons II

Petru Bat, 2015

oilImpressionismcityscapecafetreesbuildingfiguresstreetawning
some experience helpful

This painting provides an opportunity to practice loose brushwork and capturing the essence of a scene rather than precise details. Students can also learn about color mixing to achieve harmonious greens and yellows.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition lightly on the canvas.

  2. step 02

    Block in the main areas of color: the awning, building facade, trees, and street.

  3. step 03

    Develop the green tones of the awning and foliage, mixing different shades and values.

  4. step 04

    Add details to the building, including the windows, doors, and architectural elements.

  5. step 05

    Paint the figures and outdoor seating, focusing on capturing their gestures and forms.

  6. step 06

    Refine the details of the trees and foliage, using short, broken brushstrokes.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Finish with any final touches and adjustments to the overall composition.

color palette

primary · sap green · yellow ochre · titanium white

secondary · burnt umber · cadmium yellow · ultramarine blue

Mix greens by combining yellow ochre and sap green, adjusting the ratio for different shades. Use burnt umber to darken greens and create shadows. Add titanium white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color mixing
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using too much paint and creating a muddy effect.
  • →Neglecting the importance of value contrast.
  • →Failing to capture the overall atmosphere and mood of the scene.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann