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home·artworks·Les Dernières Nouvelles
Les Dernières Nouvelles by Nicolas Toussaint Charlet

plate no. 5129

Les Dernières Nouvelles

Nicolas Toussaint Charlet

wash, lavisRomanticismgenre paintingfiguresinteriordogtablechairschildren
some experience helpful

Recreating this painting will help students develop skills in tonal washes and capturing figures in a scene with limited color palette. It's a good exercise in creating depth and form using value alone.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and objects, paying attention to proportions and placement.

  2. step 02

    Establish the darkest areas with a concentrated wash of sepia or burnt umber.

  3. step 03

    Apply lighter washes to create mid-tones, gradually building up the values.

  4. step 04

    Use a damp brush to soften edges and blend washes for a smooth transition.

  5. step 05

    Add details to the figures and objects with a fine brush, using darker washes for definition.

  6. step 06

    Create texture by dabbing or stippling the wash in certain areas.

  7. step 07

    Use diluted wash for background and create atmospheric perspective.

  8. step 08

    Add final highlights with very diluted wash or clean water to lift color.

color palette

primary · sepia · burnt umber

secondary · raw sienna

Vary the dilution of sepia or burnt umber with water to achieve different values. Add a touch of raw sienna for warmer tones.

techniques

  • ·tonal wash
  • ·dry brush
  • ·blending
  • ·atmospheric perspective
  • ·rendering figures

common pitfalls

  • →overworking the washes
  • →creating muddy tones
  • →losing the light source
  • →inaccurate proportions

materials

surface · watercolor paper 140lb

required

  • ·sepia ink or watercolor
  • ·burnt umber watercolor
  • ·round brushes (various sizes)
  • ·watercolor paper
  • ·water container
  • ·palette
  • ·paper towels

optional

  • ·raw sienna watercolor
  • ·masking fluid
  • ·kneaded eraser

Use good quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying levels of detail.

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