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home·artworks·Leipziger Straße
Leipziger Straße by Lesser Ury

plate no. 4673

Leipziger Straße

Lesser Ury, 1889

oilImpressionismcityscapecityscapestreetnightfiguresrainbuildings
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and using broken color to suggest light and reflection. It also provides practice in simplifying complex scenes into essential shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of major elements like the buildings, figures, and street.

  2. step 02

    Establish the overall dark value of the painting with a thin wash of dark brown or black.

  3. step 03

    Block in the major light areas, such as the reflections on the wet street and the illuminated buildings, using a limited palette of warm colors.

  4. step 04

    Add details to the figures and carriages, focusing on capturing their silhouettes and suggesting movement.

  5. step 05

    Refine the reflections on the street, using vertical strokes of light and dark colors to create a sense of depth and wetness.

  6. step 06

    Add highlights to the buildings and figures to create a sense of light and atmosphere.

  7. step 07

    Adjust the overall values and colors to create a cohesive and atmospheric painting.

  8. step 08

    Add final details and touches to enhance the realism and visual interest of the painting.

color palette

primary · ivory black · burnt umber · yellow ochre

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Mix blacks and browns with small amounts of blue and red to avoid a flat, lifeless tone. Use yellow ochre and cadmium yellow to create warm highlights and reflections.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·impasto

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating too much detail and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated, which can disrupt the dark and moody atmosphere of the painting.
  • →Failing to capture the reflections on the wet street, which are essential to the painting's success.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the overall dark value of the painting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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