apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lectern
Lectern by Sevket Dag

plate no. 0507

Lectern

Sevket Dag, 1937

oil, canvasImpressionisminteriorinteriorwindowlecternbookcandletiles
some experience helpful

Recreating this painting will help students develop skills in depicting light and shadow, as well as creating texture through brushwork. It also provides practice in rendering complex shapes and patterns, such as the tiles and rug.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the window, lectern, and candle.

  2. step 02

    Block in the large areas of color, focusing on the overall light and shadow patterns.

  3. step 03

    Begin to refine the shapes and details of the window, lectern, and candle.

  4. step 04

    Add the details of the tiles, using small brushstrokes to create texture.

  5. step 05

    Paint the rug, using a variety of colors and brushstrokes to create a sense of depth and pattern.

  6. step 06

    Refine the highlights and shadows, paying attention to the way the light interacts with the different surfaces.

  7. step 07

    Add the final details, such as the reflections in the window and the details on the lectern.

  8. step 08

    Let the painting dry and add a final layer of varnish for protection.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium yellow · alizarin crimson · viridian green

Mix blues and browns for the tiles, adding white for highlights. Use yellow ochre and white for the candle and window light. Mix reds and browns with blue for the rug.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·impasto
  • ·alla prima

common pitfalls

  • →Getting the proportions of the objects wrong.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Not paying enough attention to the light and shadow patterns.
  • →Making the colors too uniform and lacking variation.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grit canvas for best results. Consider using a fast-drying medium to speed up the drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann