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home·artworks·Leaving Church in the Fifteenth Century
Leaving Church in the Fifteenth Century by Sir Lawrence Alma-Tadema

plate no. 7799

Leaving Church in the Fifteenth Century

Sir Lawrence Alma-Tadema, 1864

oil, canvasRomanticismgenre paintingfiguresarchitecturechurchclothingstonecrowd
experienced study

Recreating this painting will help students develop skills in rendering complex figures and architectural details, as well as understanding atmospheric perspective and tonal values to create depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch outlining the main figures and architectural elements.

  2. step 02

    Establish the overall tonal values using a limited palette of earth tones.

  3. step 03

    Begin layering in the darker areas of the architecture and figures.

  4. step 04

    Gradually build up the mid-tones and highlights, focusing on the faces and clothing.

  5. step 05

    Add details to the architectural elements, such as the carvings and stonework.

  6. step 06

    Refine the figures, paying attention to the folds and textures of their clothing.

  7. step 07

    Use glazes to create depth and luminosity in the shadows.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the muted tones by mixing earth colors with white and small amounts of red, blue, and yellow. Use glazes of burnt umber and ivory black to create depth in the shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering drapery

common pitfalls

  • →getting lost in the details too early
  • →overworking the painting
  • →failing to establish a strong tonal foundation
  • →inaccurate proportions of figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a fine-weave canvas for better detail rendering. Consider using a toned canvas to establish a base tone.

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oil painting for beginners →how to learn by studying the masters →
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