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home·artworks·Leathe's water, Skiddaw and saddleback in distance
Leathe's water, Skiddaw and saddleback in distance by John Glover

plate no. 8791

Leathe's water, Skiddaw and saddleback in distance

John Glover, 1817

oil, canvasRomanticismlandscapemountainslakeskycloudstreeslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering to create depth, as well as practice blending techniques to achieve smooth transitions in the sky and mountains.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, lake, and foreground elements.

  2. step 02

    Establish the sky with light blues and whites, blending softly to create cloud formations.

  3. step 03

    Block in the distant mountains with muted blues and grays, using lighter values for mountains further away.

  4. step 04

    Paint the middle ground mountains with greens and browns, varying the hues to create depth and form.

  5. step 05

    Add details to the foreground, including trees, rocks, and foliage, using darker values and more defined brushstrokes.

  6. step 06

    Refine the details in the lake, reflecting the colors of the sky and surrounding landscape.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the mountains and foreground elements.

  8. step 08

    Glaze with thin layers of color to unify the painting and adjust the overall tone.

color palette

primary · ultramarine blue · raw umber · yellow ochre · titanium white

secondary · burnt sienna · sap green

Mix blues and whites for the sky, adding a touch of yellow ochre for warmth. Combine raw umber, yellow ochre, and white for the mountains, adjusting the proportions to create different shades of brown and gray. Use sap green and raw umber for foliage, adding touches of yellow ochre for highlights.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·blending
  • ·glazing
  • ·scumbling

common pitfalls

  • →overworking details in the distant mountains
  • →creating harsh lines between color transitions
  • →failing to establish a clear value structure
  • →using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·linseed oil
  • ·turpentine
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas for optimal texture. Consider using a glazing medium to enhance the transparency of the glazes.

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oil painting for beginners →how to learn by studying the masters →
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