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home·artworks·Le quai aux fleurs, Notre-Dame
Le quai aux fleurs, Notre-Dame by Tsuguharu Foujita

plate no. 7569

Le quai aux fleurs, Notre-Dame

Tsuguharu Foujita, 1950

oilMagic RealismcityscapebuildingscityscapearchitecturestreetNotre-DameParis
some experience helpful

Recreating this painting will help students develop skills in perspective drawing, particularly depicting complex architectural forms, and in creating subtle tonal variations using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the buildings, paying attention to the angles and proportions.

  2. step 02

    Establish the horizon line and vanishing points to guide the perspective.

  3. step 03

    Block in the main areas of light and shadow with diluted washes of neutral colors.

  4. step 04

    Gradually build up the tonal values, adding layers of color to create depth and dimension.

  5. step 05

    Add details to the buildings, such as windows, doors, and architectural features.

  6. step 06

    Paint the Notre-Dame cathedral in the background, simplifying its form and details.

  7. step 07

    Refine the details and add highlights to create a sense of realism.

  8. step 08

    Add the signature at the bottom right corner.

color palette

primary · raw umber · titanium white · ivory black

secondary · yellow ochre · burnt sienna

Achieve the various shades of gray and brown by mixing raw umber, black, and white in different proportions. Use yellow ochre and burnt sienna sparingly to add warmth to certain areas.

techniques

  • ·linear perspective
  • ·value studies
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Incorrect perspective leading to distorted buildings
  • →Overworking the details and losing the overall harmony
  • →Using too much color and creating a muddy effect
  • →Ignoring the subtle tonal variations and creating a flat image

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a smooth canvas to facilitate blending and glazing. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →how to learn by studying the masters →
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