apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Le Puits Qui Parle Des Anciens Palais Des Ducs De Savoie, Bourg En Bresse, Rue Du Gouvernement
Le Puits Qui Parle Des Anciens Palais Des Ducs De Savoie, Bourg En Bresse, Rue Du Gouvernement by Fernand Combes

plate no. 2408

Le Puits Qui Parle Des Anciens Palais Des Ducs De Savoie, Bourg En Bresse, Rue Du Gouvernement

Fernand Combes, 1919

colored pencils, charcoalImpressionismcityscapebuildingsarchitecturecityscapestreetfountainwindows
some experience helpful

Recreating this painting will help students develop skills in perspective drawing, rendering textures with colored pencils and charcoal, and creating atmospheric depth through subtle color variations. It also provides practice in depicting architectural details and capturing the overall mood of a cityscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings, fountain, and street.

  2. step 02

    Establish the main light source and indicate areas of light and shadow with light pencil strokes.

  3. step 03

    Begin layering colors, starting with the lighter tones and gradually building up darker values.

  4. step 04

    Use hatching and cross-hatching techniques to create texture and depth in the stone and brickwork.

  5. step 05

    Pay attention to the subtle color variations in the buildings and street, using different shades of gray, brown, and yellow.

  6. step 06

    Add details such as windows, doors, and architectural ornaments.

  7. step 07

    Use charcoal to darken shadows and add contrast to the composition.

  8. step 08

    Refine the drawing by adding highlights and adjusting values as needed.

color palette

primary · gray · brown · yellow ochre

secondary · light blue · burnt sienna

Achieve the various shades of gray by mixing black and white colored pencils. Mix brown and yellow ochre for the building's warm tones. Use light blue sparingly to create a sense of atmosphere and depth.

techniques

  • ·hatching
  • ·cross-hatching
  • ·layering
  • ·blending
  • ·charcoal shading

common pitfalls

  • →Overworking the drawing and losing the freshness of the initial sketch.
  • →Failing to establish a clear light source, resulting in a flat and unconvincing image.
  • →Ignoring the subtle color variations in the buildings and street, leading to a monotonous color scheme.
  • →Getting lost in the details and neglecting the overall composition.

materials

surface · white drawing paper

required

  • ·white drawing paper
  • ·graphite pencils (HB, 2B)
  • ·colored pencils (gray, brown, yellow ochre, light blue, burnt sienna)
  • ·charcoal pencils
  • ·kneaded eraser
  • ·pencil sharpener
  • ·ruler

optional

  • ·tortillon
  • ·blending stump
  • ·fixative spray

Use a smooth drawing paper for best results. Experiment with different brands of colored pencils and charcoal to find the ones you prefer.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to draw →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann