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home·artworks·Le Petit Lever
Le Petit Lever by Eva Gonzales

plate no. 7864

Le Petit Lever

Eva Gonzales, 1876

oil, canvasImpressionismgenre paintingfiguresinteriormirrortabledresshair
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow on fabric and skin, as well as understanding how to depict reflections in a mirror. It also provides practice in creating a sense of depth and atmosphere through color and brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, paying attention to proportions and placement.

  2. step 02

    Establish the background with broad strokes, focusing on the dark tones and subtle variations.

  3. step 03

    Block in the main colors of the figures, starting with the shadows and mid-tones.

  4. step 04

    Begin to refine the details of the faces and clothing, using smaller brushstrokes and subtle color changes.

  5. step 05

    Paint the mirror and the reflection, paying close attention to the angles and distortions.

  6. step 06

    Add the details of the table and other objects, using a variety of brushstrokes to create texture.

  7. step 07

    Refine the highlights and shadows, adding depth and dimension to the painting.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and harmonious composition.

color palette

primary · ivory black · titanium white · raw umber · burnt sienna

secondary · ultramarine blue · cadmium yellow light · alizarin crimson

Mix white with small amounts of raw umber and burnt sienna to create the skin tones. Use ultramarine blue and white for the striped shirt. Mix ivory black and raw umber for the dark background.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·alla prima
  • ·impasto

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the importance of the background and its effect on the overall composition.
  • →Getting the proportions of the figures wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ivory black, titanium white, raw umber, burnt sienna, ultramarine blue, cadmium yellow light, alizarin crimson)
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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