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home·artworks·Le Panthéon et la Seine
Le Panthéon et la Seine by Maurice Boitel

plate no. 4500

Le Panthéon et la Seine

Maurice Boitel

oilImpressionismcityscapecityscaperiverbuildingsskytreesboat
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as practicing loose brushwork to capture the impressionistic style. Students can also learn about color temperature and how to use it to create a sense of distance.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, river, and sky.

  2. step 02

    Block in the main color areas for the sky, water, and buildings with thin washes.

  3. step 03

    Begin layering colors in the sky, blending to create a soft, atmospheric effect.

  4. step 04

    Add details to the buildings, focusing on capturing the shapes and colors of the roofs and walls.

  5. step 05

    Work on the water, using horizontal brushstrokes to create the impression of movement.

  6. step 06

    Add the trees and foliage, using broken brushstrokes to create texture.

  7. step 07

    Paint the boat and figure, paying attention to the highlights and shadows.

  8. step 08

    Refine the details and adjust the colors as needed to achieve a cohesive and harmonious painting.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna · titanium white

secondary · cadmium red · sap green · violet

Mix various shades of blue and white for the sky. Use yellow ochre and burnt sienna for the buildings, and mix greens with blue and yellow for the foliage. Add small amounts of red to create the sunset hues.

techniques

  • ·wet-on-wet blending
  • ·broken brushstrokes
  • ·layering
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using colors straight from the tube without mixing, resulting in a flat and uninteresting palette.
  • →Ignoring the importance of value contrast and creating a painting that lacks depth.
  • →Not paying attention to the perspective of the buildings and river.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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