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home·artworks·Le Morin pres de Guerard
Le Morin pres de Guerard by Andre Dunoyer de Segonzac

plate no. 5890

Le Morin pres de Guerard

Andre Dunoyer de Segonzac, 1935

oilImpressionismlandscaperivertreeslandscapeskyfieldsvegetation
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and practicing loose, expressive brushstrokes to capture the essence of a landscape. Students will also learn to simplify complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the river's flow and the placement of trees.

  2. step 02

    Establish the sky with a thin wash of gray and blue.

  3. step 03

    Block in the large shapes of the landscape with simplified colors: browns for the fields, greens for the vegetation, and darker tones for the distant hill.

  4. step 04

    Begin layering colors on the trees, using browns, grays, and hints of green to suggest branches and foliage.

  5. step 05

    Paint the river, capturing the reflections of the sky and surrounding landscape with horizontal brushstrokes.

  6. step 06

    Add details to the foreground, such as the grassy banks and any visible structures.

  7. step 07

    Refine the values and colors throughout the painting, adjusting the light and shadow to create depth.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · raw umber · titanium white · sap green

secondary · ultramarine blue · yellow ochre · burnt sienna

Mix greens by combining yellow ochre and ultramarine blue with varying amounts of white. Browns can be achieved by mixing burnt sienna and ultramarine blue. Use white to lighten values and create atmospheric perspective.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-dry layering
  • ·simplified shapes
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details
  • →Using too many colors
  • →Creating muddy colors
  • →Ignoring the overall value structure

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·round brushes (#2, #6, #8)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use good quality oil paints for best results. A limited palette will help to maintain color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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