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home·artworks·Le Havre. Heavy Winds off of Frascati.
Le Havre. Heavy Winds off of Frascati. by Eugene Boudin

plate no. 9563

Le Havre. Heavy Winds off of Frascati.

Eugene Boudin, 1896

oilImpressionismlandscapeseawavesskylighthousecloudsbeach
some experience helpful

This painting offers a great opportunity to practice capturing dynamic movement and atmospheric perspective. Students can learn to simplify complex scenes and focus on capturing the overall impression of the scene.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the lighthouse and beach.

  2. step 02

    Block in the sky with broad strokes of blues, purples, and whites, creating a sense of depth and movement.

  3. step 03

    Establish the dark areas of the clouds and the shadows on the water.

  4. step 04

    Begin to define the waves, using short, broken strokes to capture the texture and movement of the water.

  5. step 05

    Add highlights to the waves and the lighthouse, using lighter tones of white and yellow.

  6. step 06

    Paint the beach and foreground elements, adding details such as the figures and beach huts.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt umber · cadmium yellow · alizarin crimson

Mix blues and whites for the sky, adding small amounts of yellow ochre for warmth. Use burnt umber and ultramarine blue to create dark grays for the clouds. Mix yellow ochre and white for the sandy tones of the beach.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Creating flat, lifeless waves.
  • →Failing to capture the atmospheric perspective and depth of the scene.
  • →Using too much detail in the foreground.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints (ultramarine blue, titanium white, yellow ochre, burnt umber)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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