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home·artworks·Le Gouter
Le Gouter by Marie Bracquemond

plate no. 5735

Le Gouter

Marie Bracquemond, 1880

oilImpressionismgenre paintingfiguregardentreesbooktablestill life
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork, color mixing for subtle variations, and capturing light and atmosphere. It also provides practice in depicting a figure in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, the table, and the background elements.

  2. step 02

    Block in the main color areas with thin washes, focusing on the overall color temperature.

  3. step 03

    Start building up the layers of paint with short, broken brushstrokes, mimicking the impressionistic style.

  4. step 04

    Pay attention to the light and shadow on the figure and the surrounding objects.

  5. step 05

    Mix colors on the palette and directly on the canvas to achieve the desired effect.

  6. step 06

    Add details to the face, hands, and other focal points.

  7. step 07

    Refine the background elements, ensuring they remain soft and atmospheric.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · titanium white · cerulean blue · yellow ochre · alizarin crimson

secondary · sap green · raw umber · cadmium yellow light

Achieve the subtle skin tones by mixing white, alizarin crimson, and a touch of yellow ochre. Use cerulean blue and white with a touch of yellow ochre for the dress. Mix greens with blue, yellow, and brown for the foliage.

techniques

  • ·broken brushstrokes
  • ·color mixing
  • ·glazing
  • ·scumbling
  • ·wet-on-wet blending

common pitfalls

  • →Overworking the painting and losing the impressionistic feel.
  • →Using too much detail and creating a stiff, unnatural look.
  • →Not paying attention to the light and shadow and creating a flat, lifeless image.
  • →Getting the proportions of the figure wrong.
  • →Using colors straight from the tube without mixing them.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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