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home·artworks·Le Biarotte
Le Biarotte by Paul-Albert Besnard

plate no. 9262

Le Biarotte

Paul-Albert Besnard, 1929

etchingImpressionismportraitportraitfigurewomanclothingshadowsseated
some experience helpful

Recreating this painting will help students understand value relationships to create form and practice cross-hatching techniques to build depth and texture. It also offers practice in capturing a likeness and conveying a mood through subtle tonal variations.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the overall composition.

  2. step 02

    Establish the darkest areas of the background and clothing using a dark wash.

  3. step 03

    Begin building up the mid-tones in the face and shirt with lighter washes, paying attention to the light source.

  4. step 04

    Use cross-hatching to create texture and depth in the darker areas, gradually layering the strokes.

  5. step 05

    Refine the facial features, focusing on capturing the likeness and expression.

  6. step 06

    Add details to the clothing and background, using varying line weights to create visual interest.

  7. step 07

    Adjust the overall value range to enhance the contrast and create a sense of depth.

  8. step 08

    Add final highlights to the face and clothing to emphasize the light source.

color palette

primary · ivory black · raw umber

secondary · sepia · titanium white

Mix ivory black and raw umber to create a range of neutral grays. Add small amounts of titanium white to lighten the values. Sepia can be used for warmer dark tones.

techniques

  • ·cross-hatching
  • ·dry brushing
  • ·value studies
  • ·portraiture
  • ·tonalism

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value range.
  • →Creating overly uniform cross-hatching.
  • →Losing the overall composition by focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette
  • ·mineral spirits

optional

  • ·palette knife
  • ·sepia oil paint
  • ·medium gloss

Use a smooth canvas for best results. Consider toning the canvas with a thin wash of raw umber before starting.

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related guides

color theory for painters →how to learn by studying the masters →
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